A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

1979年霍梅尼在伊朗掌权是现代激进伊斯兰的第一次重大胜利。在这部三集纪录片中，当年的一些关键人物会向您讲述这其中的故事。 　　美国前总统卡特第一次在电视面前讲述那次使其在选举中失去总统职位的事件。伊朗扣押了在德黑兰的美国大使馆人员，这总共的444天一点一点的夺去了卡特的时间和能量。卡特总统的最后任期被绝望的试图营救人质计划所笼罩。那些和他一起在白宫中试图营救人质，如何谈判，最终怀疑自己能否救回人质的人们，他们都讲述了自己在其中的故事。其他参与者包括前副总统沃尔特·蒙代尔，前副国务卿克里斯多夫以及前国家安全顾问兹比格涅夫·布热津斯基。 　　另一面的故事由伊朗高层讲述：霍梅尼的顾问，大阿亚图拉蒙塔泽里；他的第一位外交部长，亚兹迪；其美国谈判代表，萨迪克·塔巴塔巴伊；伊朗革命卫队创立者之一，穆赫辛。

1979年霍梅尼在伊朗掌权是现代激进伊斯兰的第一次重大胜利。在这部三集纪录片中，当年的一些关键人物会向您讲述这其中的故事。 　　美国前总统卡特第一次在电视面前讲述那次使其在选举中失去总统职位的事件。伊朗扣押了在德黑兰的美国大使馆人员，这总共的444天一点一点的夺去了卡特的时间和能量。卡特总统的最后任期被绝望的试图营救人质计划所笼罩。那些和他一起在白宫中试图营救人质，如何谈判，最终怀疑自己能否救回人质的人们，他们都讲述了自己在其中的故事。其他参与者包括前副总统沃尔特·蒙代尔，前副国务卿克里斯多夫以及前国家安全顾问兹比格涅夫·布热津斯基。 　　另一面的故事由伊朗高层讲述：霍梅尼的顾问，大阿亚图拉蒙塔泽里；他的第一位外交部长，亚兹迪；其美国谈判代表，萨迪克·塔巴塔巴伊；伊朗革命卫队创立者之一，穆赫辛。

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

一场不寻常的车祸，夺走小镇警长的爱妻。此后，他开始独自一人埋头改造要给女儿一家的小屋，用自己的方式哀悼挚爱的离去。两年过去，尽管孙女陪伴在侧，伤痛却从未痊愈。当他终于开始整理妻子遗物，却发现她过世前疑似出轨的痕迹，深埋心底的巨大悲伤逐渐发酵成浓烈妒意，他决定任其吞噬所有理性⋯⋯ 　　谣传，当白雾迷茫、天地相衔之时，亡者将会开启与生者的对话。 《爱比雪更冷》冰岛新锐导演海纳尔帕玛颂风格十足的第二部长片，以北国雪季的雾月传说，释放灵魂最深处压抑的情感，将扭曲变形的哀伤谱作一首献给硬汉的「侵」爱之歌。宛若北欧变奏版《百日告别》。 《爱马士》伊格瓦艾格特西格罗森的完美演出，让他赢得坎城影评人周最佳演出奖的殊荣。

一场不寻常的车祸，夺走小镇警长的爱妻。此后，他开始独自一人埋头改造要给女儿一家的小屋，用自己的方式哀悼挚爱的离去。两年过去，尽管孙女陪伴在侧，伤痛却从未痊愈。当他终于开始整理妻子遗物，却发现她过世前疑似出轨的痕迹，深埋心底的巨大悲伤逐渐发酵成浓烈妒意，他决定任其吞噬所有理性⋯⋯ 　　谣传，当白雾迷茫、天地相衔之时，亡者将会开启与生者的对话。 《爱比雪更冷》冰岛新锐导演海纳尔帕玛颂风格十足的第二部长片，以北国雪季的雾月传说，释放灵魂最深处压抑的情感，将扭曲变形的哀伤谱作一首献给硬汉的「侵」爱之歌。宛若北欧变奏版《百日告别》。 《爱马士》伊格瓦艾格特西格罗森的完美演出，让他赢得坎城影评人周最佳演出奖的殊荣。